Intersections of NanoArt, Nanoscience, and Nanotechnology – The Journey to the Small World Launched The New Renaissance

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NanoResponse

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The coming era of nanotechnology has become increasingly essential to current scientific and futurist thought. Small scaled devices called nanobots will one day be put into the body and respond to our biological systems, truly binding the organic and synthetic nature of our bodies. These nanobots may help us ward off diseases, enhance our memories, reduce signs of aging, increase physical dexterity and perform a wide range of other tasks.

NanoResponse incorporates the sound from Generative Behaviors. These are musical compositions composed by the computer that are ever-changing and require no assistance from the human creator once fundamental elements are set and the system begins to extrapolate them. This begs the question of the notion of artistic merit being granted to a work generated by the computer. Who is the creator?

The graphic element of the work involves a responsive nanobot. By listening to and interpolating the audio levels of Generative Behaviors the nanobot limits and expands its range as instructed by the audio output. The response given to the audio replicates the behavior a Microbivore [nanobot white blood cells] would perform in your body when you become ill. Likewise, a Respirocyte [nanobot red blood cells] can aid in the transportation of oxygen and carbon dioxide throughout the body. If, for instance, you suffer from carbon monoxide poisoning in a fire, Respirocytes would release into your blood stream to jump-start your system.

Nanotechnology will alter our concept of what it means to be human. NanoResponse suggests that we should not fear these developments, but embrace them.

Patrick Millard is an artist who originates from the small Western Michigan town of Lamont and now lives in Grand Rapids, Michigan. His work in photography, painting, mixed media, sound and installation has resulted in a diversified portfolio that addresses ideas about media, culture, technology and the interactions that human beings have within their own synthetic environment. His work has been exhibited nationally and internationally and continues to gain recognition. He is one of the TOP 10 artists at the 4th edition of NanoArt 2009-2010 International Online Competition organized by NanoArt21. 48 artists from 15 countries submitted 154 works at this event.

NanoArt Exhibition at EuroNanoForum

Molecular Zoo

"Molecular Zoo", nanosculpture by Orfescu

Bellow are transcripts from the EuroNaonoForum website. The event was hosted at Prague Congress Centre (Czech Republic).

“There have been several events aiming to build a bridge between the World of Art, Science and Public in the area of Nanotechnologies during the conference. First of all, the accompanying program was set up to, as well as other things, mediate the latest high technologies that are produced by the current science in the area of nanotechnologies to the public – using artistic devices. The project was aimed to mirror the scientific field through the unlimited visual language of art and also, shall we say in a rather subtle way – viceversa. ”

“We were hosting an artwork exhibition of fourteen gifted artists from literally all around the globe. Main contribution came from Cris Orfescu, an American based in California, who is an author, producer, coordinator and evaluator of the annually held online competition NanoArt 21 which started back in 2006 and 2009 is going to be a fourth one in a row. It is certainly the first and most probably still the only online competition/exhibition/festival on NanoArt as such. (For more visit the exhibition slide show here). Orfescu himself says he considers NanoArt to be an appealing and very effective way to communicate a reflection and usage of the latest technological and social movements with and within general public as well as plain informing about the technologies of the 21st Century. You had a chance to see 20 masterpieces of Cristian Orfescu at the EuroNanoForum 2009.
As outlined above, thanks to Cris Orfescu’s kind cooperation we could also present some of the competitors of the above mentioned contest. Namely: Bjoern Daempfling, Carol Cooper, Darcy Lewis, David Derr, David Hylton, Eva Lewarne, Fred Marinello, Chris Robinson, Philip Brun del Re, Renata Spiazzi, Teja Krasek, Ursula Freer.
Last but not least, we were having a very fruitful and nice cooperation with our crucial media partner: “NANO – the Magazine for Small Science”, thanks to which, we got to know a very interesting textile artist and scientist Dr. Frances Geesin, whose artworks you were sure to meet at the conference.
We would like to thank all the artists and especially Cris Orfescu as well as our media partner “NANO – the Magazine for Small Science” for the great cooperation.”

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